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The Nod hosts ditch Spotify to relaunch their original show

The co-hosts of The Nod are again, and this time, they’ve separated from Gimlet Media and Spotify and are as a substitute taking their work to SiriusXM’s Stitcher. Brittany Luse and Eric Eddings inform The Verge immediately that they’re relaunching their Black tradition show For Coloured Nerds this fall, which they created, hosted, and produced prior to working at Gimlet. The podcast can be out there broadly and isn’t unique to one platform.

Stitcher will produce the show together with them, and SXM Media will completely promote advertisements for it. The co-hosts final printed a For Coloured Nerds episode in 2017, however the identical feed can be revived for the comeback.

Notably, Eddings and Luse retain whole management over their show — they personal the audio masters, the feed, and rights to spinoff works — and so they’ve landed on a income sharing settlement with Sirius. (The specifics of the deal, like how a lot Stitcher paid them to come over and the share of advert income they’ll obtain, weren’t disclosed.)

“I can’t let you know how nice it feels to have the opportunity to have the kind of flexibility, and independence, and true assist, that now we have proper now,” Luse says in a chat with The Verge. “The trade is now not in its infancy; the trade’s maturing, and so I feel folks’s needs for what they’re in search of out of possession offers and issues like which can be altering.”

The possession a part of the deal was particularly important for Luse and Eddings, who spoke out in June 2020 about their frustration with Gimlet’s management over The Nod’s feed and IP. The two pitched, hosted, and produced the show and felt like they owned it, however they by no means did.

“Offering institutional assist shouldn’t be the identical as producing the precise product,” Luse says on this current chat. “So I feel that ultimately the trade goes to have to bend towards a scenario the place there are organizations which can be offering institutional assist to individuals who need to make high quality audio with out demanding that additionally they hand over all of their possession.”

The trade nonetheless faces challenges round IP and possession, even when it’s a top-of-mind challenge. The Ringer and Gimlet unions strived to attain an settlement on IP, however weren’t in a position to safe something in their remaining contract with Spotify. In a chat with Sizzling Pod’s Nick Quah final August, prior to any finalized contracts, Lowell Peterson, government director of the Writers Guild of America East, referred to as combating for IP rights an “uphill battle.”

“Having some potential to share within the fruits of the inventive labor and perhaps even exploit it by yourself or stick with it both financially or creatively if it turns into one thing greater… sure, that’s positively been a problem,” he stated on the time.

And Eddings acknowledged in our current chat that extra assets want to be available to unbiased creators who won’t understand how to get began with creating, pitching, and in the end proudly owning a show, particularly when negotiating with huge companies.

“I really feel like now we have to whisper generally when it comes to asking a few lawyer,” he says as one instance. “It wants to turn out to be a factor that that’s normalized and standardized as a result of it’s tremendous vital.”

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